Phoebe Robertson
Assistant Professor of Music
Music Department
Witherspoon
407 W Q St.
Russellville, AR 72801
Phone: (479) 968-0472
E-mail: probertson5@atu.edu
Education
MM - Carnegie Mellon University
Recently Taught Courses
MUS 1071 - APPL MUSIC/FLUTE
MUS 1072 - APPL MUSIC/FLUTE
MUS 1521 - WOODWIND ENSEMBLES
MUS 2000 - SOPHOMORE BARRIER
MUS 2003 - INTRODUCTION TO MUSIC
MUS 3072 - APPL MUSIC/FLUTE
MUS 3073 - APPL MUSIC/FLUTE
MUS 4000 - CAPSTONE RECITAL
Biography
Phoebe Robertson is Assistant Professor of Flute at Arkansas Tech University. Her solo and orchestral
performances have brought her to such venues as Amsterdam’s Royal Concertgebouw and
Hamburg’s Elbphilharmonie as well as halls from coast to coast in North America. She
has performed as soloist with ensembles including the National Arts Centre Orchestra,
the Carnegie Mellon Philharmonic, and Symphony New Brunswick. Orchestral performances
in which Dr. Robertson was a featured soloist have been broadcast on BBC3 and CBC
Radio, and she has performed alongside members of the New York Philharmonic and of
the Metropolitan Opera Orchestra. Equally at home performing contemporary music as
the standard repertoire, she has premiered numerous works for solo flute and flute
with electronics, including a full recital of premieres by members of the Tesselat
Composers Collective.
Her scholarship has likewise brought her around the world, including a recent paper
at the biennial “Music Since 1900” Conference in Birmingham, England. Dr. Robertson
discovered an affinity for the music of Soviet composers early on in her studies,
and has carried that through to her doctoral dissertation on the philosophical concept
of opposition in flute works by Russian-Tatar composer Sofia Gubaidulina, advised
by Dr. Edward Green. Her work on Gubaidulina gave her a renewed passion for the study
of gender in music; she has delivered papers at numerous conferences dedicated to
women musicians such as the Royal Musical Association Study Day on Women and Gender
in the Eastern Bloc. In 2020, she was published in the Eidolon Journal of Classics with her interdisciplinary article “Piping Hot: On Folklore, Fluting, and Feminism”
on gender dynamics in early twentieth-century French flute music based on mythology.
She continues to develop several forthcoming publications set to appear in 2023. In
addition, she serves as Reviews Editor of the CAML Review, the official publication
of the Canadian Association of Music Libraries, Archives and Documentation Centres.
Dr. Robertson has taught flute at the Manhattan School of Music, Mount Allison University,
and the Gould Academy, and has given masterclasses at universities, conservatories,
festivals, and arts programs throughout North America. With recent technological innovations
in online lessons, she enjoys teaching and mentoring flutists from around the world.
She is particularly passionate about the remarkable leaps forward that undergraduate
flutists can take during their studies, and she revels in the chance to be a part
of that process at Arkansas Tech University. She is just as enthusiastic about the
progress and discoveries students make in the classroom, having lectured in Music
History at the Manhattan School of Music and Carnegie Mellon on a range of topics
from the music of Black American women to the music of Siberian shamans. This dedication
to sharing the joy and richness of music has made her a sought-after writer of program
notes for orchestras throughout the Northeastern United States, helping to make concerts
more accessible to audiences with a wide variety of musical backgrounds.
Raised in Sackville, New Brunswick, Canada, she earned a Doctorate of Musical Arts
at the Manhattan School of Music in New York, studying with Linda Chesis and Robert
Langevin. For her excellence in doctoral work, she was selected for the Helen Cohn
Award. She holds a Master of Music degree from Carnegie Mellon University, where she
studied with Lorna McGhee, and a Bachelor of Music degree from her studies with Camille
Churchfield at the University of Ottawa. She has also enriched her studies at the
Bowdoin International Music Festival, the Netherlands Flute Academy, the Orchestra
of the Americas, the National Youth Orchestra of Canada, the Orford Music Academy,
and the Domaine Forget Music Academy. Her studies have been generously supported by
such organizations as the O’Brien Foundation and the Sylva Gelber Music Foundation.
Outside of music, she also enjoys sewing clothing, studying theology, and road cycling.
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